by June Hur
Publication: April 20, 2021
I was excited to read Hur’s The Forest of Stolen Girls. Some of my favorite dramas are set during the Joseon era so I was looking forward to reading a novel set during this period as well.
After learning about 13 girls all missing from the same village, Detective Min heads back to his old home to try to solve the case, but he also goes missing. Our protagonist is his 18-year-old daughter Hwani Min who refuses to believe her father is dead with only a scrap of his clothes found as confirmation of his death and not his body. She heads to Jeju Island to search for him.
Set during a time when women had limited agency, it was somewhat surprising that Hwani was given so much leeway throughout Jeju to search for him, but I liked the focus on strong women, especially Hwani. Hwani is a determined individual, quite stubborn actually. It’s also very clear from the beginning that she’s her father’s daughter. Throughout the book, Hwani is constantly looking over the evidence and list of suspects, trying to figure out what her father would do. She often refers to him as Joseon’s greatest detective and has lived her life trying to make him proud. Her belief in her father and her conviction that he is alive is so strong that I hoped as much as she does that he would be found alive.
While Hwani is the main protagonist, her younger sister Maewol plays a central role in the story. Their relationship is complicated because their vastly different relationships with their father. Hwani idolizes her father, whereas Maewol’s feelings are much more complicated–she is the daughter left behind. Maewol has different memories of their father, making it difficult for Hwani to reconcile what she knows and feels about her father with Maewol’s account of him. Hwani’s memory loss of a significant event further exacerbates the problem so there is a lot of tension whenever the sisters interact with each other. The focus on their relationship highlights how the story is more than just about searching for their father and solving the disappearance of girls from Nowon Village; it’s about grief and family.
The plot was interesting and well thought out. There are several red herrings throughout the book, just enough to make the reader question who the culprit might be. I read it the first time, eager to get to the ending, then I read it a second time to piece together the clues and to fully enjoy Hur’s writing prowess. It’s not just the plot, but the writing that makes this such a good read. One of my favorites is the first line of the novel, providing a hint of the beauty of Hur’s writing in the pages to come: “The screen of mist was thick around the red pinewood vessel, as though secrets hid beyond of a land I was not permitted to see.” The book is filled with vivid descriptions that make the setting and the story come alive. I would recommend this to those who appreciate a good mystery novel. Individuals who liked Firekeeper’s Daughter (2021) and are looking for another well-written mystery may enjoy this novel as well.