by Tara Sim
**This is a series review that contains spoilers for Scavenge the Stars**
Scavenge the Stars
Publication: January 7, 2020
Amaya is nearing her final day on a debtor ship when she saves a stranger from drowning. He gives her an opportunity to take vengeance on the man who destroyed her family but things get complicated when she starts to fall for the mark’s son, Cayo.
I’ve never read The Count of Monte Cristo so I likely missed the book’s references to the novel it is based on. Aside from this, having not read the foundational material doesn’t take away from enjoying the book. It might even be better since that means I’m less likely to compare it to what I hear is a phenomenal classic. Up until about the end of Scavenge the Stars, I felt this was what revenge novels should be like. Amaya’s chapters were my favorite, a lot darker and intriguing, while I was not nearly as invested in Cayo’s plight.
Ravage the Dark
Publication: March 9, 2021
Betrayed by someone she thought was more friend than foe, Amaya and her friends narrowly escape with the help of a friend. Cayo and his sister also accompany Amaya and her colleagues. While it’s difficult to tell whether Cayo and Amaya will be able to overcome Amaya’s betrayal, everyone will have to work together to save the state of Moray.
Ravage the Dark focuses more on Cayo’s development as he searches for his place outside of his father’s household. There’s less of a focus on Amaya and she does a lot of brooding in this one–so much. Ravage the Dark is repetitive in many parts, following Cayo and then trying to figure out the source of the illness.
Characters: Amaya & Cayo
Amaya is trying to fulfill the revenge plot of her benefactor while also trying to understand why her mother gave her up to a debtor ship. Her time on the ship has stolen her childhood and hardened her to life, but has amplified her desire to protect the other children she served her time with–those too young to fight against the life their parents have given them to. There are two sides to Amaya: the hardened child slave seeking revenge on those who have wronged her and the girl who believes in love, yearning to break free of the chains of vengeance placed upon her. She is strong and full of conviction, ready to uncover what happened to her family.
While Amaya as this stronger, capable individual, Cayo is written less so. Aside from his father’s wealth and reputation, Cayo comes across as weaker in character. He is trying to overcome a gambling habit and hasn’t been able to live up to his father’s expectations. Except for loving his sister, initially his only redeeming quality, I wasn’t a big fan. Of course, he is trying to be a better person. Cayo is constantly trying to prove his worth throughout both books, but it’s not until Ravage the Dark that he slowly comes into his own. Overall, Cayo isn’t a particularly likeable character. In each other, Amaya and Cayo see qualities they desire in themselves. Additionally, in each other, they seek freedom from their obligations and even hope to find redemption.
This is a well-written duology, however, both books suffer from the same fate: a great build-up with somewhat lackluster endings. Sim does a great job of creating the world along with an intricate plot. I kept turning the pages, wanting to find out what would happen next. As I got closer to the end, however, I became increasingly frustrated. This happened with both books. I was able to forgive the ending of Scavenge the Stars, just a little, because most everything before the end was great. Also, I hoped it was building to something bigger in the next book. I was more frustrated with Ravage the Dark than I was with Scavenge the Stars. There was a character who had so much potential but was underutilized. Then, what could have been an epic ending happened outside the pages of the book! I was flabbergasted by this. Sim had me fully immersed in Amaya’s plot for revenge but the endings in both books reduced my overall enjoyment of the duology. I couldn’t return from that even though there was much to like, especially in the first book.