by Hanna Alkaf
Publication: August 4, 2020
**I received a copy of the book from the author and publisher through Edelweiss+. I voluntarily read and reviewed it. All opinions are my own.**
**I wanted to thank Hanna Alkaf for helping ensure ARCs of the book were able to get into the hands of individuals who identified as Southeast Asian. I greatly appreciated the extra effort.**
Central to the story is the friendship between a girl and her ghost. Suraya inherits a ghost from her grandmother who has passed on. He quietly prCentral to the story is the friendship between a girl and her ghost. Suraya inherits a ghost from her grandmother who has passed on. He quietly protects her from all sorts of harm—she is a rather rambunctious girl—until he finally deems it is appropriate to reveal himself to her. Despite his protests, she names him Pink. Their friendship blooms but becomes threatened when Pink displays a darker side to protect her from bullies and when he grows jealous of Suraya’s growing friendship with new student Jing.
Have you ever read a book that you liked so much it was difficult to put into words? The Girl and The Ghost was that for me. It was both heartwarming and heart wrenching. I experienced so many emotions reading this book. As I reached the end, my heart became heavy because the story itself spoke to me on so many different levels and it was really going to be over. An ending was truly in sight.
I don’t know if what I write can truly capture everything I feel about this book. I was completely charmed as soon as I began reading it. Alkaf transported me to a place that was both real and imagined, and at times terrifying. The first half of the book left me in this haze, full of childlike wonder, and turned me into a pile of goo. Suraya was so endearing as a little girl and it hurt my heart to see her bullied by other children. It was made more difficult knowing that home was not a sanctuary either because she felt unloved and neglected by her mother. To an extent, Pink was able to fulfill some of these holes in her life. Pink reminded me of a curmudgeon who refused to admit he is anything but what he appears to be. Despite Pink’s insistence that he was a dark spirit and lacked a heart, it was clear he was completely besotted by Suraya, acting more like a guardian and a friend than the terrifying creature he was supposed to be. I completely loved the first half of the book.
The second half of the book takes a darker turn and is considerably creepier. I am also one to be easily scared so you can take the “considerably creepier” with a grain of salt. Pink takes matters into his own hands, playing tricks on bullies despite Suraya telling him not to. It gets substantially worse when he also dislikes that Suraya has a new friend, Jing. When jealousy rears its ugly head, it becomes difficult to justify why Suraya and Pink can or even should remain friends. I liked Jing and her references to Star Wars. Suraya and Jing made for a formidable pair.
REFLECTING ON THE WRITING
Alkaf has a way with words—lyrical, emotional, beautiful, and comical. And the imagery is just…well, let me share some of my favorites so you can get a glimpse into how wonderful the writing in this book is.
Suraya compares befriending her to “the case of durian.” If you’ve smelled durian and tasted it, it is clear that it is an acquired taste. Like Suraya, I am not a fan of durian but those who like it, love it. Essentially, those who are able to see beyond the materialistic and become friends with Suraya will find someone who is worth their friendship.
Another one of my favorites is the binding between Pink and Suraya being compared to “digging out ear boogers,” something “you had to get out of the way every so often so that things worked the way they were supposed to.” Hahaha…It was an unexpected comparison but I think one we can all understand. This one made me laugh. Alkaf is able to evoke so many wondrous images and emotions in this book. I loved it!
I read the line about the jars and bottles and it whisked me away to a different time. Scents from my childhood have now become a part of me as an adult. Nothing replaces the smell of my mom’s kapoon, which I really should learn how to make but moms always make it best, and the aroma of steamed rice drifting from the stove rather than an electric rice cooker. What used to be a pungent stench and even embarrassing as a child, I now thrive on: Vicks Vaporub, Icy Hot, and, when in dire need, monkey balm and tiger balm. My medicine cabinet is always stocked with Salonpas, now my cure for every ache and pain, from headaches to even sore throats. In what feels like my old age, whiffs of these transport me to my childhood, of my mom slathering any one of these ointments on my arms and my chest when I was sick. Rather than a lingering odor, they’ve become medicinal perfume, allowing me to recall my past and live my present. Will these same things be present in Suraya’s room when she grows up like they were in her mother’s? Like my own is a reflection of my mom’s, the answer is it most likely will.
This leads me to ask, are there any scents that send you spiraling down memory lane? Something that you disliked as a child but now often permeates your own home? It’s funny how these things can happen without us realizing it.
This was a resounding 4.5 stars. I was completely charmed by the book. It was endearing and made me miss my childhood. A lot of different themes arise but friendship and what it means to be a friend is an important one. Also, loss and learning to move forward is something the book touches on.
Being Southeast Asian American (Hmong), I could connect with the culture where ghosts and spirits are abundant. Hmong homes are believed to have hearth ghosts protecting members of the family from harm. And then there are other ghosts that may try to harm you, who try to steal your spirit and make you sick. As I began reading, I almost felt like I was predisposed to like this book because I saw a culture similar to my own reflected back at me. I imagine that if I had read this as a kid, I would have been even more excited because it was rare to see this kind of representation.
In an interview, Alkaf says she hopes that the book shows how “ our stories don’t have to be about our traumas. They can be about us having adventures, encountering ghosts, dealing with making new friends and figuring out how to get along with our parents” and that “we are far more than the most painful parts of our existence.” I think she clearly accomplishes that with this book.
Despite being a middle grade read, many adults will enjoy the book. I obviously did! I do not read many middle grade novels, but I am starting to think that I should. If this book is any indication of their quality, I know I will enjoy them immensely. I liked the book so much that I am preordering a hard copy for myself.
Again, a huge thanks to the author and publisher for providing an copy of the book.
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